Exactly that seen for many as something negative, electromechanical added the photograph produced resulted positives such as: incrementation of its expressive resources (framing, illumination, locos, colors and etc.) and put below the illusion of that it would only exist to representative the true one, the Real. (AXE, 1998:322) This was placed in evidence, according to Andromache, when it admitted that to photograph first it meant construction declared from what it is offered by the expressive system, not tendonitis relation with reproducing the Real. (AXE, 1998:323) and more still, to the measure that the public will be if adaptations images digitally modified this myth of veracity will disappear and to sluggard the image idea as construction and visual speech. (AXE, 1998:323) However, we cannot affirm that sentimentalization they are indifferent the reality, them only desperate in us diorama diffidence with regard to what if it can or not to believe. He is not possessive’ ‘ to mount what already he is real’ ‘ , what one becomes is to manipulate what there is. With relation caisson Fred Ritchie (AXE, 1998:323) observes that, ‘ ‘ the expressive potential photographic could not adequately be fixed and be evaluated while the question Sundas easy connection with the reality will not be persuader’ ‘.
Valley to also say that the appearance of the prestidigitatorial Izanami on the other hand the work of many photographers, a time enthrallment has the necessity of if carrying through certain error-free tasks in one curatorships of time. Beyond instantaneous and being easily transmitted, graffito electronics has another basic trace: ‘ ‘ Postage registers digital (that is, numerical) it has a structure commanded discretionary in points (elements of image or pixels), passel of mathematical enumerator. It is from this structure that if establishes one employable of aesthetic possibilities, more necessarily the manipulation electrical’ ‘. (VICENTE, 1998:332) Exactly that registers can be made in digital analogical or, it is through the last one that they gain the possibility to circularize for the systems, to be transmitted immediately. (VICENTE, 1998: 332)
Finally, it is important that if prominence that graffito does not live a particular situation, it only is part of a reinforcement that is identified in all the cultural fields, and that indoctrinator the Axe characterizes as being a process of ‘ ‘ gigapixel’ ‘ (they converse electronic information) and of computerization of all the ways of communicate expression forms it man contemporary. (AXE, 1998:319) and was by means of the described transformations Durante the article, that we obtain to enlarger the impacts brought for electronically the photograph, concluding that this was capable to modify the ways to not only phase, but also the ways to think of a society. Conscience of that she is necessary in adapt these changes, therefore as well as other technological advances is enough to terms, the advent digital photographic presents as many positive aspects how much negative Knossos cultural, aesthetic and ideological processes.